Pause for Harmony

发布日期:2017-05-24 13:54
浏览次数:663
 
Pauseforharmony_landscape1-1455x970_x450

We met with iconic Japanese clothing brand Issey Miyake and the Finnish glassware company Iittala to look at the influence and thought process behind their recent collaboration, a collection of simple homewares.Titled Pause for Harmony, the collection was created to make ordinary activities — relaxing on the couch, making tea, arranging freshly cut flowers in a vase — special, and was inspired by the beauty and colour palette of Japanese cherry blossoms.

Comprising delicate textile, ceramic and glass pieces for the home, the collaboration has been in development for over four years, with the two brands coming together to create an ambient blend of Japanese and Scandinavian design.

“Both of these brands have always been true to their philosophy of timeless design and creative thinking,” says Iittala design director Harri Koskinen. “They also value tradition, functionality, craftsmanship, and the use of innovative materials and methodologies in their design work.”

More than that, the collection is about mindfulness: being present for the day-to-day happenings that, with busy, technology driven lives, we often take for granted. The design team — Midori Kitamura, president of Miyake Design Studio and Koskinen of Iittala — say the collection was carefully considered. They didn’t want to simply make more “stuff”, but rather create objects that are functional and reflective of the modern home today.

Classic Issey Miyake textiles are employed in cream, green, dusty pink, and grey hues, with the pleating technique used on the cushion covers, napkins and placemats, echoing the brand’s iconic 132 5. ISSEY MIYAKE clothing range. Pentagonal shapes are used across the collection, chosen, Kitamura says, for their “non-daily” aesthetic. One of the pieces — a textile table flower for placing keys or objects on — is a perfect reminder to pause for harmony.

Find out more about the collaboration at pauseforharmony.com

  • Parco Palladiano

    "AS A PERFUMER, I SEE A CORRELATION BETWEEN MY CREATIVE PROCESS AND THAT OF AN ARCHITECT. IN A SIMILAR WAY TO A BUILDING, A PERFUME IS CONSTRUCTED FROM THE BASE NOTES, OR FOUNDATIONS, PROGRESSING UP THROUGH HEART NOTES, AND FINISHING WITH TOP NOTES. I BELIEVE THAT SOMEONE WHO LOVES CLASSIC ARCHITECTURE WILL ALSO BE DRAWN TO A CLASSIC SCENT."


  • Vitsoe – Invisible Design

    10 PRINCIPLES OF GOOD DESIGN ... INNOVATIVE, USEFUL, AESTHETICALLY PLEASING, UNDERSTANDABLE, UNOBTRUSIVE, HONEST, LONG LASTING, THOROUGH, ENVIRONMENTALLY FRIENDLY, AND WITH AS LITTLE ‘DESIGN’ AS POSSIBLE.


  • Axel Vervoordt – Kanaal

    EVERYTHING THAT IN ITS ORIGINAL STATE HAS BEEN TRANSFORMED BY TIME, THE GREATEST SCULPTOR OF ALL.


  • Mjölk

    BAKER REFLECTS AND REMARKS ON THE FURNITURE AND CRAFT OBJECTS IN HIS GALLERY WITH A GENTLE REVERENCE, AND EXPLAINS THAT HIS CUSTOMERS ARE NOT ECCENTRIC MILLIONAIRES, BUT RATHER, YOUNG, CURIOUS AND CREATIVE TYPES.


  • Discussing design with Kenya Hara

    I DON’T THINK WE COULD EVER BEAT A WONKY PIECE OF POTTERY MADE BY A CHILD. MORE THAN ANY OTHER, THAT OBJECT HAS THE RECEPTIVENESS TO HOLD ALL THE EMOTIONS AND IDEAS POURED INTO IT.


  • Snow Day

    It’s been quite a long time since I’ve enjoyed a snow day this much. The city’s quieter and somehow. it’s kind of nice that cars slow down for you to cross the slushy streets too.


  • Hella Cool Ride + Coffee

    lady Falcon Coffee Club be rollin’ up with craft coffee in San Francisco style - and in their very own 1948 truck.


  • CURATED: Jewellery
  • A Sense of Wonder

    THE BUILDING IS ICONIC, AND VERY FAMILIAR TO MANY SINGAPOREANS. WE WERE FORTUNATE TO HAVE CONVINCED THE OWNER TO HAVE US ON BOARD TO CONCEPTUALISE AND OPERATE THE SPACE. IT HAS BEEN AN INCREDIBLE EXPERIENCE TO BRING THE BUILDING'S RICH HERITAGE AND STORY TO LIFE, THROUGH OUR DESIGN AND INTERPRETATION


  • The Material of Light

    ARBEL’S GREATEST FACILITY LIES WITHIN AN INTUITIVE UNDERSTANDING OF RAW MATERIALS AND AN INHERENT ABILITY TO CREATE TACTILE EPHEMERA. THE PRACTICE, NOW IN ITS 11TH YEAR, CONTINUES TO FIND SUCCESS WITH WHAT ARBEL DESCRIBES AS MATERIAL EXPLORATIONS.